For music production, Altiverb 7 XL is invaluable for adorning your mix elements with the just the right reverb. – Sound Kitchen studio A Nashville 1.irbulk – Satsop Cooling Tower Bob Schwenkler 1.irbulk – Kings College Chapel CambridgeUK.irbulk – Kings College Chapel CambridgeUK.2.irbulk And if you’re in post production, you’ll appreciate the speed with which you can conjure the perfect ambience to match the scene you’re mixing. – Sound Kitchen the big boy Nashville 1.I was recently looking at one of my mixes onscreen and realized I was using five different kind of reverbs. With that in mind, I thought it would be interesting to take a look at those various reverbs and hear the same audio clip through them, as well as discuss why you might use different ones in the same session. The primary reason I turn to multiple kinds of reverbs in the same session is that they are sonically different and offer up a multitude of production options. While the different kinds of reverbs may provide a variety of sounds within the plugin itself, such as plates, rooms, halls, churches and so on, some of them have certain overall characteristics that make them unique. The IR Spectrum Table is a chart for use during infrared spectroscopy. Some of them also just do one thing, and that's what you turn to them specifically for. The table lists IR spectroscopy frequency ranges, appearance of the vibration and absorptions for functional groups. There are two tables grouped by frequency range and compound class. Also, some of them are convolution reverbs with real samples and some are more traditional. I have found it best to mix and match them in an overall approach to creating depth, height and space in a mix. I also realized that sometimes I will apply a reverb directly to a track, and use the wet/dry control (if it has one) to create the blend between the dry signal and the effect. There is no right or wrong reason to do so, as opposed to putting the effect on an Aux channel and using a bus send. The only thing is that if you apply it directly to the track, it can be used by that track only. Whereas if you use it on an Aux channel, you can send other tracks to it. It’s simply that sometimes I like the ‘immediacy’ of placing it directly on the track and making it extra wet. It also lets me tailor the sonic setting of the reverb, for example the predelays, EQ, filtering, to be used only with the track its on, instead of having every instrument sent to it have that same reverb character. You could however create multiple instances of the same reverb on different Aux tracks and do the same thing. My rule of thumb is whatever feels and sounds right is right. The ExampleĪs you can hear from the example, Little Plate offers a smooth trail and some true sonic character. The initial hit seems to impact the reverb and then push the sound deep into the tail, since I had the decay set to just over 8 seconds. Altiverb (499 stereo/849 surround) is popular convolution reverb plug-in created from impulse responses (IR). I will often use even more decay time and send such things as piano hits, drum impact sounds and even snare drums into it. Beyond providing a large amount of convolution reverb settings, the plug-in allows importing your own IRs. It’s a powerful, evocative tool for applying reverb to your projects, or creating impulse response collections of your own. Altiverb 7's library of IRs weighs in at 3.4GB and comprises a massive collection of spaces and devices. It’s truly a classic plate sound and I also use it as a sound design tool for massive reverbs. Audio Ease has sampled some of the world's most acoustically impressive structures, a range of classic and not-so-classic hardware, over 20 car interiors, tons of 'domestic' and public spaces and a variety of off-the-wall chambers. I’ve been using Altiverb since it was first released many years ago. With impulse responses from concert halls, churches and all kinds of rooms around the world from Amsterdam to Vienna, from the USA to Australia, the Altiverb. One of the first convolution reverbs, it offered up sonic spaces through impulse responses that no other reverb could at the time. It’s easy to use with minimal controls and the Impulse Response library is accessible with a useful visual browser, allowing you to see the photos of the various spaces.
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